
Maia (Alexandra Gulea) was born into a semi-nomadic population under ethnic cleansing. Her granddaughter, the director, who shares the same name, has produced a vivid visual reconstruction of her journey through the 20th century. Her history blends into the larger History.
It’s been long since the last time cinema dodged a personal story for the sake of a bigger shared history. Alexandra Gulea has made a film about Alexandra Gulea, her paternal grandmother whose name she inherited – a perfect homonymous double, letter-for-letter, and so,distressing. To the filmmaker, her grandmother embodied the sensibility, the authority, the identity of being Aromanian, all now but spectres to her. Channeling the grandmother’s memory, Maia – Portrait with Hands is a ritualistic invocation, the “total” mise-en-scène, perfected to the last infinitesimal detail of an entire past century of Aromanian history: the century of the Balkan Wars, of the Aromanian genocide, of Eastern communism. Equally, Maia’s century, image by image, image born out of image — It’s a rare history, one so sensitive about the ineffable. (Călin Boto)

Alexandra Gulea graduated in 1997 cum laude at the Ecole Nationale Supérieure des Beaux Arts in Paris. After participating in several painting exhibitions, she studied documentary film at Munich Film School and, since 1999, has directed documentary Films, shorts, video installations and a fiction feature. She has also worked as an editor on several movies.