Fire of Wind

Marta Mateus
Portugal / Switzerland / France
72'

The vine bore fruit and it’s harvest time. Soraia, a young girl, cuts herself. Blood mixes with wine. A black bull is on the loose. Up in the oak trees, time swells, and a community takes shelter. They share bread and wine, memories and dreams, the history of a landscape. We enter a long night, where nature also speaks. The fiery wind that brings the heatwaves is burning.

Marta Mateus’s debut film is very muchan event: within her refined conceptual apparatus we find both a perfect distillation of the history of Portuguese cinema to date – in terms of its rich, luxuriously illuminated compositions as much as  its affinity with the working class – and a new, novel voice proposing a syncretic vision of the country’s identity and history. In Fire of Wind past and present intertwine in a complex, deeply allegorical parable –  see the symbol of the bull, which opens a vast bouquet of mythological references (both Cretan and contemporary). The film allows itself to be read like a canto, an ode to those who have been battered by the relentless winds of earth and time. (Flavia Dima)

Screening date and location

September 25th, 6:00 PM, Cinemateca Eforie

Tickets

Awards & Festivals

Marta Mateus

 Marta Mateus is a filmmaker and producer. She studied philosophy, drawing and photography, music and theater. Her first film, Farpões Baldios (2017), was shown at the Quinzaine des Cinéastes, selected for various festivals, and won the Grand Prize at Vila do Conde and Hiroshima. She has participated in several group exhibitions with video and sound installations. In 2018, she was an artist-member of the Casa de Velázquez, Académie de France à Madrid and created the production company Clarão Companhia. Fogo do Vento is her first feature film.

  • Technical sheet
  • Production and distribution
  • Director: Marta Mateus
  • Screenplay: Marta Mateus
  • Cast: Soraia Prudêncio, Maria Catarina Sapata, Safir Eizner, José Moura, Maria Clara Madeira
  • Cinematography: Vítor Carvalho, Marta Mateus
  • Editing: Marta Mateus, Claire Atherton
  • Sound: Hugo Leitão
  • Sound editing: Elsa Ferreira
  • Produced by: Clarão Companhia
  • Co-production: Casa Azul Films, Les Films d'ici, RTS Radio Télévision Suisse
  • Producer: Marta Mateus, Pedro Costa
  • Co-producer: Fabrice Aragno, Richard Copans
  • Production manager: Joana Ramos

Screens

International Feature Film Competition

All films →

Eat the Night

Caroline Poggi & Jonathan Vinel | Duration 105'

Pablo, a small-time dealer, and his teenage sister Apolline have forged an unbreakable bond through their shared obsession with the online video game Darknoon. When Pablo falls for the mysterious Night, he gets swept up in their liaison, abandoning his sister to deal with the impending shutdown of their digital haven alone. As Pablo’s reckless choices provoke the wrath of a dangerous rival gang, the end of their virtual life draws near, upending their reality...

Cu Li Never Cries

Phạm Ngọc Lân | Duration 92'

A woman tries to cling onto dimming links to her past after inheriting a pygmy slow loris from her long-estranged husband; meanwhile, her niece prepares for marriage as the young couple ponders their uncertain future together. The present and the complex echoes of Vietnamese history intertwine with a contemplative and poetic perspective.

Malqueridas

Tana Gilbert | Duration 75'

They are women. They are mothers. They are prisoners serving long sentences in a correctional facility in Chile. Their children grow up far from them, but remain in their hearts. In prison, they find affection in other partners who share their situation. Malqueridas builds their stories through images captured by them with cell phones inside the prison, recovering the collective memory of a forgotten community.

bluish

Lilith Kraxner & Milena Czernovsky | Duration 83’

Errol and Sasha, two somewhat disoriented characters in their twenties, are each aimlessly drifting through a city’s gloomy winter days. Whilst casting a soft gaze on fragments of their everyday lives, people, stories, places and realities start to overlap and intertwine. bluish describes a fragile state of being, a condition or rather an atmosphere of ambiguity and longing.

When the Phone Rang

Iva Radivojević | Duration 73'

Through an intimate reconstruction of an important phone call, When the Phone Rang investigates dislocation and the nature of remembering. In the protagonist’s 11-year-old mind, this phone call erases her entire country, history, and identity and hides its existence in books, films, and memories of those born before 1995.

Maia – Portrait with Hands

Alexandra Gulea | Duration 90'

Maia (Alexandra Gulea) was born into a semi-nomadic population under ethnic cleansing. Her granddaughter, the director, who shares the same name, has produced a vivid visual reconstruction of her journey through the 20th century. Her history blends into the larger History.

Fire of Wind

Marta Mateus | Duration 72'

The vine bore fruit and it's harvest time. Soraia, a young girl, cuts herself. Blood mixes with wine. A black bull is on the loose. Up in the oak trees, time swells, and a community takes shelter. They share bread and wine, memories and dreams, the history of a landscape. We enter a long night, where nature also speaks. The fiery wind that brings the heatwaves is burning.

Meniu