The curatorial theme for this year’s edition of the festival found its initial inspiration in a certain state of playfulness exulting from the films we discovered through our curatorial research — whether we’re talking about playfulness in a more jovial sense, as a characteristic of works rooted in fanciful or even campy approaches, or in a more general, sense, about filmmakers’ creative play with the ever expanding discursive possibilities of the cinematic medium.
Still, underneath this playful enthusiasm that is most apparent on a formal level, there runs a somber undercurrent fueled by the filmmakers’ preoccupation with the seemingly inescapable state of crisis which has come to define our current reality. From addressing the pervasive ethical issues and inherent biases of artificial intelligence and other similar technologies, to raising concerns about the path to imminent extinction brought about by armed conflicts and extractivist practices, amongst other equally pressing and serious topics, the films included in our selection invite the spectator to engage in a conscious looking game that ultimately refutes its own playful premises: in fact, not all is fun and games in the world that surrounds us, as much as we might try to look the other way.
Presented under the title Serious Games, a direct reference both to Harun Farocki’s series of the same name and to an entire sub-genre of video games, the current edition of BIEFF, our 14th, also features a special addition to the festival agenda in the shape of an overarching focus program dedicated to machinima — an artistic practice that purposely misuses video games to create cinematic images, thus bringing our curatorial exploration to a full circle. Come play with us!
Oana Ghera – Artistic Director
Tsveta Dobreva was born in Bulgaria and studied cinema, management and cultural project management in Germany (Bochum) and France (Paris and Montpellier). In Germany, she worked for the European Capital of Culture RUHR.2010, among others, before joining the Goethe-Institut in Paris in 2014, where she was responsible for European and international projects. Between 2015 and 2018, she was Deputy Director and Head of Programming at the Goethe-Institut in Marseille. In December 2018, she joined the FIDMarseille team as General Secretary and the FIDLab selection committee. In April 2022, she was appointed Director of FIDMarseille.
Ana David is a festival programmer and curator working between Berlin and Portugal. She’s been recently appointed an advisor to the official programme of the Berlinale, is part of the programming advisory committee of Berlinale Panorama since 2017, and is an associate programmer at Márgenes — Festival Internacional de Cine de Madrid since 2023. Between 2021-2024 she was curator at Batalha Centro de Cinema (Porto), a new public institution whose opening she accompanied. Previous programming positions include IndieLisboa, Berwick Film & Media Arts Festival, Oslo/Fusion, BFI London Film Festival, and Queer Lisboa, the latter as co-director. She has curated retrospectives dedicated to Angelo Madsen Minax, Claire Denis, Joanna Hogg, Luísa Homem, Annemarie Jacir, Mai Zetterling, and Jane Campion.
Christopher Small is a film critic, programmer, and publisher living in Prague, Czech Republic. He has overseen the Locarno Critics Academy since 2017 and since 2023 is responsible for the publications of the Festival, including its daily magazine, Pardo. For four years, he was the international curator for the documentary VOD platform DAFilms.com and the festival association Doc Alliance. He was on the Selection Committee for Sheffield DocFest from 2019-21 and curated the festival's 2020 retrospective Reimagining the Land. As a writer, he has regularly contributed to a number of international outlets and has been translated into a dozen languages. He also co-founded and programmed the independent cinema Kino Petrohradská in Prague from 2021-23. He is the founder, co-editor, and publisher of Outskirts Film Magazine, a yearly print publication devoted to the cinema of the past and present.
Morena Faverin has been working in the cultural field for over 10 years, as a freelance curator, project manager and communication manager for festivals, funds, universities and cultural associations. Since 2020 she's the co-artistic director of Lago Film Fest, for which she also worked as communications manager from 2014 to 2023.
Azin Feizabadi is an Iranian-born, Berlin-based filmmaker, visual artist, and curator. His work has been screened, exhibited, staged, and published at festivals like Berlinale, CPH:DOX and Oberhausen, in art institutions such as the Guggenheim Museum, Taxispalais Innsbruck, MMK Frankfurt, and Sharjah Biennial, in theatres like Maxim Gorki Theater, as well as in cinemas and on TV. He is a Berlinale Shorts selection committee member and has led Kasseler Dokfest's short film section in 2022 & 2023.
Niels Putman is the artistic director of Kortfilm.be, and a co-founder and the chief editor of the short film magazine Talking Shorts. As a freelance film programmer and curator, he is currently affiliated with Antwerp’s local arthouse theatre De Cinema, Fantoche Int’l Animation Film Festival, Film Fest Gent, and the Belgian video-on-demand platform Avila. He has contributed as a guest curator to festivals in Quebec City, Dresden, and Poznan.
Aleksandra Ławska is a freelance short film programmer based in Reykjavik, Iceland.
Between 2019-2021 she worked as a Head of Programming for the Short Waves Festival and in 2023 she took over the position of Head of Competitions of the same festival. Between 2018-2022, she was a Project Coordinator at the Cultural Foundation Ad Arte in Poznan, Poland, co-organising cultural events, film screenings, and educational workshops. Over the years, she worked as a member of the preselection committees for Festival du nouveau cinéma de Montréal, Glasgow Short Film Festival, Lago Film Fest, and was part of the reading committee for the European Short Pitch. More recently, she has been collaborating with Cinema Muza in Poland, Stockfish Film Festival in Reykjavik, and SO Films - a distribution and production company based in Poland.
Michel Rensen is a film programmer and script editor, currently working as Head of Program at Go Short (Nijmegen, the Netherlands). Previously, he has worked as a programmer for several other festivals including Cork International Film Festival, Leiden Shorts, and Netherlands Film Festival, and has been part of the advisory committee for the Limburg Film Fund.
Radu Pervolovici is a Romanian cultural manager with an academic background in architecture and urban planning. He is the director of the META Cultural Foundation since 2011, producing more than 20 short films over ten years of activity within the foundation. Starting from 2015, he coordinates the International Residency for Audiovisual Creation, Slon, through META Cinema (together with film director Eva Pervolovici), and from 2018 onwards, he is also the coordinator of the MagiC Carpets Romania project, which takes place as an international residency for experimental audio-video creation. In 2022, he co-founded the M2M Museum in Slon, a project in which he is also involved as an architect.
Awarded to the best feature film presented as part of BIEFF’s International Feature Film Competition, the award consists of post-production services in a total value of 20.000 euro, to be used for the production of the next project by the winning director.
The award is offered by Avanpost.
Awarded to the best short film presented as part of BIEFF’s International Short Film Competition, this award is valued at 1000 euro.
Awarded to a short film presented as part of BIEFF’s International Short Film Competition that distinguishes itself through the quality of filmmaking, the this award is valued at 1000 euro.
Awarded to a short film presented as part of BIEFF’s International Short Film Competition that distinguishes itself through it’s innovative visual concept, this award is valued at 1000 euro.
Awarded to the best short film presented as part of BIEFF’s National Short Film Competition, this award is valued at 1000 euro.
Awarded to a Romanian Film presented as part of BIEFF’s National Short Film Competition, the award consists of post-production services valued at 1.000 euro, to be used for the production of the next project by the winning director.
The award is offered by Luno.