Until recently, cinema began after the workers left the factory. Now there’s no after-hour left: since it has become a total spectacle, a show both private and of public interest, work must go on no matter what, in the corporation that exists everywhere between factory, office, and home. Capitalism saves capitalism: for our century has become so cynical and emotionally overwhelming that sometimes it feels like it would be morally impossible to live such an anguishing life without work being all-encompassing enough to alienate it day after day. With clear minds and hearts shaking from emotion, the films in Works and Days bring to the screen what is but a second nature to life in capitalism, a diffuse desperation of contemporaneity that takes control over the portrait and landscape, day and night, dream and nightmare. (Călin Boto)