
The 16th century. After a period overseas in the Antarctic France, Jean Aurand finds refuge as a servant in the house of French philosopher Michel de Montaigne, where a series of fantastical events change the lives of these two men forever.
Based on Montaigne’s essay Of Cannibals, Bernardo Zanotta’s film is a cheeky work of reinterpretative and speculative historical fiction, embellishing and reclaiming narratives set around the 1500s and the French colonial expeditions to Brazil. Disillusioned by the colonial project after witnessing crimes against the natives, a fictional Jean Aurand joins the court of Montaigne and develops an intimate relationship with him. Wild Fruits dislocates the decorative megalomania of colonialism and the obsession with the “exotic” and subverts them into a theatrical, artificial expression of grandeur and lushness, reapropriating and liberating them through queer subjectivityAlso subverting the genre of costume drama itself — in cinema, a most problematic ideological catastrophe that often upholds colonial narratives — Zanotta uses the unexpected use of time-travelling as, he cites, a tool of decolonial intervention.

Bernardo Zanotta (b. Brazil) is a filmmaker and visual artist based between Amsterdam and Paris. His films blend historical and fictional narratives that subvert genre and convention. His work has been exhibited internationally at art venues and festivals, including FID Marseille, Rotterdam, Queer Lisboa and Locarno, where he was awarded the Pardino d’Argento for his film Heart of Hunger (2018). Alongside short and mid-length projects, he is currently developing his first feature film.