
Still lives of real fruit meet botanical illustrations of plant galls to expose the paradox of dissection: each time we cut something in two, we merely create a new exterior.
Magdalena Bermudez brings us unbelievably close to a myriad of translucent, organic textures, bathed in warm light. Under the director’s magnifying glass, the fruit, split open, arranged like still lifes, shimmer and allow themselves to be seen. Their organic tissue seems to be moving, pulsating, breathing life. Parallel Botany is an exercise in delight, an ode to these exotic, luxuriant objects; but also a statement about the nature of our immense curiosity, which, combined with our inability to understand, drives us to constantly search for the center, which remains a possible hypothesis, but one that we cannot verify. (Emil Vasilache)

Magdalena Bermudez (she/they) is a filmmaker and educator whose practice examines the entangled relationships between people, animals, and technologies through essayistic film and video works. Her work has screened internationally at film festivals including the Ann Arbor Film Festival, Antimatter [Media Art], Athens International Film + Video Festival, BIDEODROMO International Experimental Film and Video Festival, Iowa City International Documentary Film Festival, Black Maria Film Festival, and the Festival of (In)appropriation. She is an Assistant Professor of Cinema at Binghamton University.