
Something unrecognizable has invaded the cottage shores of Finland, which used to be a safe and familiar environment. The arrival of green and slimy blobs brings uncomfortable feelings to the middle class community. Their jiggly movement alone disgusts them.
It is more often than not that we don’t know how, we don’t wish to, or we find it hard to accept what we perceive as intruders. Undoubtedly a remnant of our latent, seemingly innocent childhood selfishness, the feeling of being under attack or at risk of being dominated, persists, even in those of us who are generally welcoming and tolerant. But the blind belief that the elements that make up this world are inherently good is also a self-defence mechanism. Ville Koskinen’s Magnifica: Passive Intruder dramatizes this issue by looking at moss animals – some gelatinous dwellers of the waters. The film is much like a walk on a tightrope: it strives to look down, even down below the surface, and to still somehow not fall on either side. (Emil Vasilache)

Ville Koskinen is a filmmaker and master of fine arts from the Academy of Fine Arts in Helsinki. Everlasting battles and giving up have been ongoing themes in his work. Koskinen’s works have been described as adventure films where the adventure never begins. His films have been screened and awarded worldwide.