
Through a collection of archived videos found in the depths of YouTube, ordinary people apply to join a space mission team heading to Mars in the year 2022. This announcement from Mars Venture, nearly a decade ago, reveals our society’s interest in the conquest of the red planet and prompts us to question the colonial rhetoric inherent in New Space projects.
Can you explain this gap in your resume? In a simple montage of the archive of video-applications for Mars One — a sensational scam from the early 2010s that promised people the chance of becoming the first colonizers of Mars —, the young filmmaker Louis Rémy encompasses an entire world, precisely the capitalism that Mark Fisher described as imagining itself continuing on other planes once the Earth won’t suffice anymore. And, indeed, for over 200.000 applicants, life on Earth, apparently unsatisfactory, wasn’t enough. The Mars Project is a fascinating spectacle of the protocols through which people sell their own time, story and image, a spectacle about the violence of human civilization, grotesque precisely through the banality it represents. (Călin Boto)

Louis Rémy was born in Strasbourg and is based in Paris. A student of video and photography at the École nationale supérieure des arts décoratifs. His work explores the connections between individual and collective history, with a particular interest in conspiracy theories and the mechanisms behind belief formation, through the genres of speculative fiction, fantasy, and science fiction.