
War for our attention has suddenly become an actual war. Information technologies appear not just as mere means for somebody’s ends but as one of the acting forces. We have no control over it and are doomed to scroll through the newsfeed.
Watching Sasha Svirsky’s Dull Spots of Greenish Colors, you might wonder what kind of oversaturated, isotopic nightmare you have ended up in. In reality, its amalgamation of visual data juxtaposed in collage form or in sudden passing is more familiar than you might think. It’s the core of your infinite feed, a never-ending parasite that thrives on the scroll. The film doesn’t mask it, but brings out its features, turning at times into the bastard child of creepy pastas and 24-bit pixelated viruses. Kind of like John Carpenter’s They Live, but about your favorite app for rotting. This is a warning you don’t want to miss. (Emil Vasilache)
Sasha Svirsky graduated as a painter. He uses animation as an artist’s tool, unlocking its potential for visual experiments and creating philosophical narratives and essays. Among other festivals, his films have been presented at the Berlinale and the Locarno Film Festivals and he has received numerous awards. Works in collaboration with his partner Nadya Svirskaia. Based in Berlin since 2022.